Querying Public Scholarship
Querying Public Scholarship
An Unfinished List of Questions toward More Meaningful University–Community Partnerships
Harris Kornstein & Jacqueline Jean Barrios
Department of Public and Applied Humanities, University of Arizona
Public Humanities, Volume 1 , 2025 , e18
How do we do public scholarship?
How do we do public scholarship?
It might seem like a simple question, but as anyone who has attempted to experiment with academic norms—let alone work collaboratively in and through institutional regulations, cultural expectations, and diverse personalities—is well aware, things get complicated quickly.
As scholars, practitioners, and educators in the public humanities, the authors offer a set of sticky and thorny questions that are both theoretically minded and practice oriented, as possibilities to consider throughout the process of working on public projects or with community partners. Questions are grouped thematically—Framing, Planning, Partnerships, Institutions, Tools, Outputs and Forms, Documentation, Evaluation and Reflection—though are not meant to be exhaustive or prescriptive.
In so doing, the essay insists that public scholarship not be codified into a clearly- defined discipline, but rather acknowledged as both an always already present practice for many scholars and in a constant state of emergence as a field. To that end, the authors also invite direct engagement with these questions, both inside and outside of the space of the text, encouraging readers to generate and share their own questions as well.
Submit Your Question(s)
We encourage you to share your question(s) with us below.
Submissions are encouraged from all readers: students, artists, activists, cultural workers, scholars, and more!
We will add submissions to the website, and may include them in a follow-up publication.
Please note: we may curate submissions (not all will be shared) and may lightly edit for clarity.
Reader Submitted Questions
Browse questions submitted by readers.
(Click images to enlarge.)
What histories of relations are present?
What enables and constrains participation?
What is the “epistemic burden” of partnership/participation? (Pierre et al 2021)
For institutions, what space is there for resistance, reimagining, transformation, etc.?
Who “counts” as an author?
How will you practice reflexivity holistically throughout, not just at the end?
— Jasmine Linabary
How do you break cycles of indecision or endless brainstorming?

What is important to you us?
What is unimportant?
What can be removed?
What are your models or terms for leadership?
If movement work (community-engaged work) can’t be documented via photo/video, is it really happening? [sarcastic interpretation of “if a tree falls…”]
How can participation in movement-based work continue to be valuable (and be valued) by faculty and students when it can’t be “counted” according to university metrics?
Are you willing to first provide support in order to receive support, even when you’re desperate to be heard and understood?

How does your project sustain?
What needs to sustain and not sustain? And who determines this?
How do you make an academic event a party?

What would it look like if our institution truly valued community engaged work?
Workshop
We plan to hold at least one workshop in Spring 2025 to discuss this piece and collectively generate new questions. If you might like to participate, please share your information below.
About Us
Harris Kornstein
Harris Kornstein is a scholar and artist whose research and practice focuses on digital cultures, queer/trans studies, disability studies, and media art/activism. Supported by an NEH Fellowship, they are currently working on a monograph on how drag offers new strategies for creatively countering the harms of contemporary technologies. They are co-editor of the anthology How to Be Disabled in a Pandemic (NYU Press 2025), and their writing has appeared in journals like Surveillance & Society and Curriculum Inquiry, as well as numerous media outlets. They are Assistant Professor of Public & Applied Humanities at the University of Arizona, and serve on the board of Drag Story Hour.































